According to the Michael Bay school of filmmaking, the storyline is a necessary evil for setting up chase scenes, gunfire, or a juvenile love conflict. Fortunately for the director, in “Transformers: Revenge of the Fallen,” story constitutes no more than 10 percent of the film.
If anyone knows how to make a teen’s PG-13-Rated wet-dream, that person is Michael Bay. He isolates every element known to excite young males and squares it. Explosions and gunplay, check. Small, comedic robots, check. Gung-ho soldiers, check. Stupid government officials, check. Chase scenes, check. Hot cars, check. Hot girl in Daisy Duke shorts, double check. Awesome, huge, shape-shifting robots, triple check.
Sam Witwicky (Shia LaBeouf), is living every teen’s dream. He’s an only child and the apple of his parents’ eye. Mikaela (Megan Fox), his sexy galpal, would rather fix cars than go shopping. A Bumblebee Camaro doubling as his personal Autobot bodyguard, resides in Sam’s garage.
As the film opens, Sam’s only problems arise from being overly loved by his parents, his car and his girl. On the eve of Sam’s departure to college, Mom (Julie White) threatens to move into Sam’s dorm room while Dad tries to placate her with a tropical vacation. His Camaro Autobot cries tears of brake fluid after Sam informs the car it can’t come with him to school. Mikaela, who must also remain behind, complains Sam has never said the “L” word.
Though she comes to Sam’s college campus to rescue him when he is threatened by the evil Decepticon bots, Mikaela’s desire to hear Sam utter sweet nothings is never far from her mind.
Whether blowing up bridges, Sam’s home or reruining the Egyptian ruins, the Decepticons have one goal: To gain possession of the shard that holds the key to reactivating their leader. This impacts Sam who has been unaware that the shard has made its home inside his brain.
Though “silly” best describes Bay’s blockbuster flick, he never lets that word get in the way of serious metal-on-metal action. It’s clear that the lion’s share of his $200 million dollar budget was spent creating these Transformer confrontations because the dialog is a tangled mess and the film’s soundtrack recycles the score from a half dozen previous Michael Bay movies.
The hero’s big internal conflict is addressed even during conflagrations that find Sam and Mikaela continuing to debate who should say the “L” word first. Sam is naturally happy with no one saying it, but Mikaela, who apparently can’t be sensible because she’s a girl, is obsessed.
During the final battle in and around the Egyptian pyramids, Sam is hunted by Decepticons large and small. He and Mikaela run from one structure to the next, narrowly escaping getting blown to smithereens. Through it all, Mikaela’s false eyelashes remain perfectly set and her formfitting white pants remain perfectly white. Boys may get turned on by these Transformer robot battles, but makeup and clothes that remain unmussed, are the stuff every girl dreams of.
Wednesday, July 1, 2009
Thursday, June 25, 2009
Young at art
College of Art celebrated its centenary last year, though in fact the College didn't move into its building until January 1909. The college itself was not new then, however. It incorporated the Trustees Academy. The students, many of the staff and even the curriculum of the older institution continued in the new and so, as the Trustees Academy goes back to 1761, its heir, the college, has its 250th anniversary coming up, making it as the oldest art teaching institution in the country. The Trustees Academy was founded as a school of design, however, and true to that tradition, craft, design and otherwise useful skills were a priority in the early history of the modern college. The city which took responsibility for it for the first 50 years of its existence was very conscious of the economic benefit they could bring.
The college gradually lost sight of its origins, however, but now whether or not because of that tradition, design has recently been greatly enlarged. Applied art, fashion and textiles and visual communication are all brought together and the latter itself incorporates graphic design, film, photography, animation and illustration. To mark this change, in this year's degree show fashion has been put centre stage and given the star spot in the Sculpture Court, although on the day I was there you had to imagine it. The Sculpture Court was filled with a parade of naked tailor's dummies escorted, a little strangely, by clothed figures, but in theatrical costume. The actual fashion had gone to London for the student fashion shows, but the work of theatrical design students had stayed behind. Work in some of the other branches of design is on view in Evolution House. The work in illustration is especially notable.
The more familiar Fine Art area now includes the oddly named Intermedia – formerly tapestry, although nobody had made tapestry there for a long time. In the studios, sculptor Chandra Casali-Bell's work is outstanding. She works with light itself, using transparency, white surfaces and reflection to induce exquisite colour effects. At the centre of the studio a large work, made jointly with fellow student Rebecca Liu, consists of ribbons of transparent material hanging over reflecting pools of water. It catches the light from the high windows and plays with it. Painter Jennifer Harmer uses massed sheets of yellow painted paper hanging loosely in front of the studio window to do something a little similar.
Kirstyn Cameron and Catriona Reid both explore light, space and perspective, but looking inward into a constructed word of parallax and refraction, not out towards the wider world. Stefanie Ferguson is a sculptor who makes strange objects that are at once exquisite and surreal. With more than a nod to Man Ray, for instance, a porcelain toad emerges from a hairy bed-pan. Tobias Hulton is another surrealist, but he works in bronze. He has made a miniature staircase that goes nowhere and a wonderful, tiny dreamworld ladder. Catherine Payton takes apparently ordinary things and then weaves strange stories around them. A cheese plant on a stand, we learn, is not just a cheese plant, but a certain Claire Pecker who sadly underwent an irreversible metamorphosis in a magic contest. You wonder what happened to a figure draped in a sheet hanging behind the door – an unfortunate examiner perhaps? Charlotte Nieuwenhuys also tells stories, but in lively paintings and drawings. Charles Anderson is a painter whose energetic work successfully combines comic book imagery with classic forms and abstraction. His work recalls Rauschenberg without being simply derivative.
Many students document things they have done or aspects of their lives. Thorunn Bjornsdottir uses paintings and rather beautiful casts to chart the evolving life on the newly created volcanic island of Surtsey. Sarah Muirhead paints rather good portraits of people she has met casually and documents something of their lives. She has just been selected to show in the window of Selfridges in Oxford Street. Sam Connor is from Northern Ireland and his construction of ironing boards reflects a tragic event that touched his family in the Troubles there. Rachel MacLean creates a temple of Scottish kitsch. It is, she says, "nauseatingly positive and cheerfully grotesque." I can't quarrel with that.
In Edinburgh before you enter the college Jake Rusby has put an enormous (fake) rock over the door. In Glasgow the equivalent is a handsome abstraction of a bike chained to the railings by sculptor George Thompson. Inside though, while Edinburgh sticks to the territorial demarcations of the different disciplines, Glasgow muddles them all up. Sometimes this does make it difficult to be absolutely certain who has done what, though the arrangement is probably realistic enough.
Any technical distinction in the actual work has long since disappeared. As you enter the Mackintosh building, the stairwell is filled with a tower made by Caroline Skinner. You go in and and look up into a gloomy vertiginous space full of lights and groping hands with a face looking down from the very top. GSA tends to put its stars in the Mackintosh Gallery. Isabel Arbelaez's photographs seem casual, but are actually rather beautifully made. Eleanor Royle recycles boards from the windows of derelict buildings to make prints that record their appearance.
Some of the results work rather well as simple images without knowing this complex hidden narrative. Yaun Wang is a star painter this year. He paints big vigorous pictures that seem to mix western classicism with comic book realism. I can't say I found them really persuasive, but, elsewhere, I did find Stuart Roberts's collages very beautiful. He makes small scissored cuttings and assembles them into strange, imprecise but powerfully suggestive images. Michael Lacy's paintings are more simply narrative, though it is never a simple narrative. They suggest unknown fairytales. Louis Guy paints in the manner of Brueghel and Goya, but while his scenes of mayhem are amusing, they do also reveal how essential the discipline of drawing now is that should underpin such images.
Jennifer White seems to work mostly in collage, but when she paints, her work is sensitive and intriguing. Sarah Wright's collaged Renaissance women are elegant and rather beautiful, however stern their feminist message. Sam Indlovu reflects, not altogether solemnly on the burden of black history, nicely summarised in a boat back-pack: a boat for the slave trade and a back pack for the historical burden it represents.
Lois Whitehead records snaps of conversation and then inscribes them on mugs, symbols of social moments, but her idea of an Ex-exchange might prove a more successful enterprise. Full marks for initiative goes to Harriet Lowther. It is not quite clear what it has to do with her career as a photographer, but she wrote 200 letters warmly to thank companies whose products or services she uses. They range from Ikea, through Clarins and Ryanair to Hartley's Jam. She got replies from half of them. The replies of the astonished customer service departments are sometimes quite touching in their bewildered gratitude. "We never get to hear from the happy customers, only the unhappy ones," wrote the representative of Subway.
Natalie Feather is also a photographer, but her main work is an extraordinary drawing of the face of a cliff, extraordinary because she hung off the cliff to do it. There are pictures of her and she doesn't even seem to have a rope.
Her show also includes some rather beautiful pictures of blank, white sky. For the opposite effect of sheer blackness, Georgina Errington's black paintings cannot be surpassed, but in fact their glossy, oily surface is rather beautiful. Finally, in the McLellan Galleries, now an extension of the GSA, James Halsall has built a shrine, apparently to all major religions, but inside there is just a single chair facing a mirror. Maybe it is all just in your head.
The college gradually lost sight of its origins, however, but now whether or not because of that tradition, design has recently been greatly enlarged. Applied art, fashion and textiles and visual communication are all brought together and the latter itself incorporates graphic design, film, photography, animation and illustration. To mark this change, in this year's degree show fashion has been put centre stage and given the star spot in the Sculpture Court, although on the day I was there you had to imagine it. The Sculpture Court was filled with a parade of naked tailor's dummies escorted, a little strangely, by clothed figures, but in theatrical costume. The actual fashion had gone to London for the student fashion shows, but the work of theatrical design students had stayed behind. Work in some of the other branches of design is on view in Evolution House. The work in illustration is especially notable.
The more familiar Fine Art area now includes the oddly named Intermedia – formerly tapestry, although nobody had made tapestry there for a long time. In the studios, sculptor Chandra Casali-Bell's work is outstanding. She works with light itself, using transparency, white surfaces and reflection to induce exquisite colour effects. At the centre of the studio a large work, made jointly with fellow student Rebecca Liu, consists of ribbons of transparent material hanging over reflecting pools of water. It catches the light from the high windows and plays with it. Painter Jennifer Harmer uses massed sheets of yellow painted paper hanging loosely in front of the studio window to do something a little similar.
Kirstyn Cameron and Catriona Reid both explore light, space and perspective, but looking inward into a constructed word of parallax and refraction, not out towards the wider world. Stefanie Ferguson is a sculptor who makes strange objects that are at once exquisite and surreal. With more than a nod to Man Ray, for instance, a porcelain toad emerges from a hairy bed-pan. Tobias Hulton is another surrealist, but he works in bronze. He has made a miniature staircase that goes nowhere and a wonderful, tiny dreamworld ladder. Catherine Payton takes apparently ordinary things and then weaves strange stories around them. A cheese plant on a stand, we learn, is not just a cheese plant, but a certain Claire Pecker who sadly underwent an irreversible metamorphosis in a magic contest. You wonder what happened to a figure draped in a sheet hanging behind the door – an unfortunate examiner perhaps? Charlotte Nieuwenhuys also tells stories, but in lively paintings and drawings. Charles Anderson is a painter whose energetic work successfully combines comic book imagery with classic forms and abstraction. His work recalls Rauschenberg without being simply derivative.
Many students document things they have done or aspects of their lives. Thorunn Bjornsdottir uses paintings and rather beautiful casts to chart the evolving life on the newly created volcanic island of Surtsey. Sarah Muirhead paints rather good portraits of people she has met casually and documents something of their lives. She has just been selected to show in the window of Selfridges in Oxford Street. Sam Connor is from Northern Ireland and his construction of ironing boards reflects a tragic event that touched his family in the Troubles there. Rachel MacLean creates a temple of Scottish kitsch. It is, she says, "nauseatingly positive and cheerfully grotesque." I can't quarrel with that.
In Edinburgh before you enter the college Jake Rusby has put an enormous (fake) rock over the door. In Glasgow the equivalent is a handsome abstraction of a bike chained to the railings by sculptor George Thompson. Inside though, while Edinburgh sticks to the territorial demarcations of the different disciplines, Glasgow muddles them all up. Sometimes this does make it difficult to be absolutely certain who has done what, though the arrangement is probably realistic enough.
Any technical distinction in the actual work has long since disappeared. As you enter the Mackintosh building, the stairwell is filled with a tower made by Caroline Skinner. You go in and and look up into a gloomy vertiginous space full of lights and groping hands with a face looking down from the very top. GSA tends to put its stars in the Mackintosh Gallery. Isabel Arbelaez's photographs seem casual, but are actually rather beautifully made. Eleanor Royle recycles boards from the windows of derelict buildings to make prints that record their appearance.
Some of the results work rather well as simple images without knowing this complex hidden narrative. Yaun Wang is a star painter this year. He paints big vigorous pictures that seem to mix western classicism with comic book realism. I can't say I found them really persuasive, but, elsewhere, I did find Stuart Roberts's collages very beautiful. He makes small scissored cuttings and assembles them into strange, imprecise but powerfully suggestive images. Michael Lacy's paintings are more simply narrative, though it is never a simple narrative. They suggest unknown fairytales. Louis Guy paints in the manner of Brueghel and Goya, but while his scenes of mayhem are amusing, they do also reveal how essential the discipline of drawing now is that should underpin such images.
Jennifer White seems to work mostly in collage, but when she paints, her work is sensitive and intriguing. Sarah Wright's collaged Renaissance women are elegant and rather beautiful, however stern their feminist message. Sam Indlovu reflects, not altogether solemnly on the burden of black history, nicely summarised in a boat back-pack: a boat for the slave trade and a back pack for the historical burden it represents.
Lois Whitehead records snaps of conversation and then inscribes them on mugs, symbols of social moments, but her idea of an Ex-exchange might prove a more successful enterprise. Full marks for initiative goes to Harriet Lowther. It is not quite clear what it has to do with her career as a photographer, but she wrote 200 letters warmly to thank companies whose products or services she uses. They range from Ikea, through Clarins and Ryanair to Hartley's Jam. She got replies from half of them. The replies of the astonished customer service departments are sometimes quite touching in their bewildered gratitude. "We never get to hear from the happy customers, only the unhappy ones," wrote the representative of Subway.
Natalie Feather is also a photographer, but her main work is an extraordinary drawing of the face of a cliff, extraordinary because she hung off the cliff to do it. There are pictures of her and she doesn't even seem to have a rope.
Her show also includes some rather beautiful pictures of blank, white sky. For the opposite effect of sheer blackness, Georgina Errington's black paintings cannot be surpassed, but in fact their glossy, oily surface is rather beautiful. Finally, in the McLellan Galleries, now an extension of the GSA, James Halsall has built a shrine, apparently to all major religions, but inside there is just a single chair facing a mirror. Maybe it is all just in your head.
Tuesday, June 16, 2009
Andrzej Łapicki he married a woman 60 years younger
85 years old actor married with 25 years old girl.
Most of us at this age will probably go to health clinics, but Andrzej Łapicki. 85-year-old is already a great actor married. His wife is 60 years younger than him, Kamila. Young country met at the interview.
“Yes, I certify that I took the vow” – the actor says newspapers. It was not a sudden decision, but it may surprise, because Andrzej Łapicki wife and married during a small ceremony, and invited only the closest to it.
Age difference, that between the spouses is 60 years old, was not an obstacle for them. Newspapers describes that Łapicki and Kamila know is if this young knowledge of the theater student carried an interview with a well-known actor for the “Theater” (polish: “Teatr”). The actor was already on for several years be a widower.
Love aged a few months – describes the media. Andrzej Łapicki and his young partner began to show up together, often go time for theatrical premieres at the Polish National Theater (Teatr Narodowy). Finally decided to download. He publicly came to light June 7 when the premiere art “Marat/Sade” Kamila appeared in the company of Łapicki the ring on a finger.
Daughter of actor and best wishes Łapicki. “If Dad is happy, then I am!” – Says for newspaper Zuzanna Łapicka-Olbrychska.
Most of us at this age will probably go to health clinics, but Andrzej Łapicki. 85-year-old is already a great actor married. His wife is 60 years younger than him, Kamila. Young country met at the interview.
“Yes, I certify that I took the vow” – the actor says newspapers. It was not a sudden decision, but it may surprise, because Andrzej Łapicki wife and married during a small ceremony, and invited only the closest to it.
Age difference, that between the spouses is 60 years old, was not an obstacle for them. Newspapers describes that Łapicki and Kamila know is if this young knowledge of the theater student carried an interview with a well-known actor for the “Theater” (polish: “Teatr”). The actor was already on for several years be a widower.
Love aged a few months – describes the media. Andrzej Łapicki and his young partner began to show up together, often go time for theatrical premieres at the Polish National Theater (Teatr Narodowy). Finally decided to download. He publicly came to light June 7 when the premiere art “Marat/Sade” Kamila appeared in the company of Łapicki the ring on a finger.
Daughter of actor and best wishes Łapicki. “If Dad is happy, then I am!” – Says for newspaper Zuzanna Łapicka-Olbrychska.
Saturday, May 30, 2009
450 women join artist's nude photo shoot
The women crossed their arms to keep warm in the main concourse of Grand Central Terminal early Sunday as they prepared to pose for Spencer Tunick's latest human art installation.
All 450 of them were nude.
"I love his art and I think he's creating an amazing thing — something different, something fresh," said Anna Springer, 30, a real estate executive.
Tunick, a New York-based artist, has gained an international reputation for his arrangements of nude art installations involving hundreds of people in cities around the world. He's also been arrested several times in New York for previous projects.
For his latest, he said, he first sought permission to use the New York Public Library and the Museum of Natural History but was rebuffed by both.
"I wanted to bring the most beautiful people into the most beautiful building," he said Sunday inside the Grand Central concourse.
The women, all volunteers, arrived at about 3 a.m. Sunday, stripped off their clothes and composed their bodies into sculptural shapes and formations meant to imitate streets, buildings and cityscapes. The building had been closed to the public during the shoot.
Tunick took photographs from a stairway in the concourse. He shouted instructions through a megaphone, telling the women to form triangles and square with their bodies on the floor.
Tunick's past nude shoots in New York have sometimes provoked controversy.
In January 1996, two of his nude models were arrested atop of a Manhattan snowdrift, posed beneath an ice-cream parlor sign that advertised "Frozen Fantasies."
On New Year's Eve 1994, Tunick and a model were arrested when she posed nude on top of an 8-foot-high simulated Christmas tree ornament at Rockefeller Center.
Charges were dismissed in both cases.
"In the past, the New York administration considered the body to be a crime, or pornographic," Tunick said Sunday. "I hope this administration considers the vulnerability of the body."
The current installation is part of the artist's "Naked World," in which he has been traveling the world, hoping to gather more than 35,000 people to pose.
All 450 of them were nude.
"I love his art and I think he's creating an amazing thing — something different, something fresh," said Anna Springer, 30, a real estate executive.
Tunick, a New York-based artist, has gained an international reputation for his arrangements of nude art installations involving hundreds of people in cities around the world. He's also been arrested several times in New York for previous projects.
For his latest, he said, he first sought permission to use the New York Public Library and the Museum of Natural History but was rebuffed by both.
"I wanted to bring the most beautiful people into the most beautiful building," he said Sunday inside the Grand Central concourse.
The women, all volunteers, arrived at about 3 a.m. Sunday, stripped off their clothes and composed their bodies into sculptural shapes and formations meant to imitate streets, buildings and cityscapes. The building had been closed to the public during the shoot.
Tunick took photographs from a stairway in the concourse. He shouted instructions through a megaphone, telling the women to form triangles and square with their bodies on the floor.
Tunick's past nude shoots in New York have sometimes provoked controversy.
In January 1996, two of his nude models were arrested atop of a Manhattan snowdrift, posed beneath an ice-cream parlor sign that advertised "Frozen Fantasies."
On New Year's Eve 1994, Tunick and a model were arrested when she posed nude on top of an 8-foot-high simulated Christmas tree ornament at Rockefeller Center.
Charges were dismissed in both cases.
"In the past, the New York administration considered the body to be a crime, or pornographic," Tunick said Sunday. "I hope this administration considers the vulnerability of the body."
The current installation is part of the artist's "Naked World," in which he has been traveling the world, hoping to gather more than 35,000 people to pose.
Wednesday, May 20, 2009
Make sure to suffer gamofobia
Already dreaming about her little girl. Always a long, long with corset embroidered gems. Inserted into the most important day in the life of women. Indeed, the little ceremony that the marriage is equal magnificence. Can you thought that many women suffer from obsessive fear of marriage?
"I am 36 years old, had already engaged a few and although they tried twice, I'm not able to consider marriage to anyone. My first love has experienced what is probably his dream to today: I ran to him before the altar: the head, and abandoned at a beautiful wreaths spoconej hand. Not zwiałam to another man, I just I'm afraid is a wedding! Preparations for this day refill me panic, and instead of enjoying, in a spirit of hate. Fiancé loved, I wanted to be with him, but on what the wedding? For the second time I was fairer and despite that it has accepted engagement ring, it has deserted them in the process of selecting the room. I am not able to stand before the altar and promise to someone fidelity, love, and that it will not leave until his death. The very sound of those words of a fear me. How am I to know today? And if something does not come out and be divorce? Thoughts whirl like crazy, I do not know the answers to these questions... Maybe I should consult a specialist? "Blank, 36 years, the accounting
HOW TO BE JULIA ROBERTS
Will the film "fugitive bride" Julia Roberts was plagued by gamofobia? Probably not, because Maggie count of their actions, in the case gamofobia we have to do with the type of phobia. This consists in the fact that the closer the conclusion of the marriage, the more there is doubt, fear, fears, all to often ends with the resignation of the wedding at the last minute. They tend to fall victim to the men, but women are not free from it. In contrast to normal, resulting from the morality of some people's unwillingness to state marriage is a kind of pathology.
According to prof. Zbigniew Lew-Starowicz, the reasons for this group of disorders may be different phobias, such as a negative image of their own parents' marriage, or education in the spirit of "catching a husband for." The latter concerns mainly men, which sometimes nadopiekuńcze we observe from an early age, so as not to ufali any woman, because every one of us wants to ensnare him forever.
Often the cause is anxiety gamofobia - independent of gender - before accepting the responsibility not only for himself but also for the spouse. In addition, the gamofob panic afraid that after the sacramental "yes" to his personal freedom is highly limited.
BUT I LOVE YOU AND YOU LOVE ME
One would think that gamofob partner and his partner, or simply do not love - true love however counteract everything and connects to two people and for all, regardless of the obstacles. But it is not so: the dramatic gamofobia is that very often are partners in the abandonment of love and marriage destroys love most, gives rise to a sense of injustice in the role of the rejected spouse partner.
This condition - because unless you can talk about it in such a way - it is therefore highly disruptive, not only in the sphere of the psyche. In our country wedding, wedding, invitations to them, visitors, rituals are extremely important and easy to imagine how great shame ends desertion before the altar! In some environments it may even be cause for gamofoba social environment ostracyzem. Fortunately, the methods of psychotherapy helps, and as the professionals, the effectiveness of treatment is high. As usual, you may not go up after, because it is not known the effects of this phobia can be really sad...
"I am 36 years old, had already engaged a few and although they tried twice, I'm not able to consider marriage to anyone. My first love has experienced what is probably his dream to today: I ran to him before the altar: the head, and abandoned at a beautiful wreaths spoconej hand. Not zwiałam to another man, I just I'm afraid is a wedding! Preparations for this day refill me panic, and instead of enjoying, in a spirit of hate. Fiancé loved, I wanted to be with him, but on what the wedding? For the second time I was fairer and despite that it has accepted engagement ring, it has deserted them in the process of selecting the room. I am not able to stand before the altar and promise to someone fidelity, love, and that it will not leave until his death. The very sound of those words of a fear me. How am I to know today? And if something does not come out and be divorce? Thoughts whirl like crazy, I do not know the answers to these questions... Maybe I should consult a specialist? "Blank, 36 years, the accounting
HOW TO BE JULIA ROBERTS
Will the film "fugitive bride" Julia Roberts was plagued by gamofobia? Probably not, because Maggie count of their actions, in the case gamofobia we have to do with the type of phobia. This consists in the fact that the closer the conclusion of the marriage, the more there is doubt, fear, fears, all to often ends with the resignation of the wedding at the last minute. They tend to fall victim to the men, but women are not free from it. In contrast to normal, resulting from the morality of some people's unwillingness to state marriage is a kind of pathology.
According to prof. Zbigniew Lew-Starowicz, the reasons for this group of disorders may be different phobias, such as a negative image of their own parents' marriage, or education in the spirit of "catching a husband for." The latter concerns mainly men, which sometimes nadopiekuńcze we observe from an early age, so as not to ufali any woman, because every one of us wants to ensnare him forever.
Often the cause is anxiety gamofobia - independent of gender - before accepting the responsibility not only for himself but also for the spouse. In addition, the gamofob panic afraid that after the sacramental "yes" to his personal freedom is highly limited.
BUT I LOVE YOU AND YOU LOVE ME
One would think that gamofob partner and his partner, or simply do not love - true love however counteract everything and connects to two people and for all, regardless of the obstacles. But it is not so: the dramatic gamofobia is that very often are partners in the abandonment of love and marriage destroys love most, gives rise to a sense of injustice in the role of the rejected spouse partner.
This condition - because unless you can talk about it in such a way - it is therefore highly disruptive, not only in the sphere of the psyche. In our country wedding, wedding, invitations to them, visitors, rituals are extremely important and easy to imagine how great shame ends desertion before the altar! In some environments it may even be cause for gamofoba social environment ostracyzem. Fortunately, the methods of psychotherapy helps, and as the professionals, the effectiveness of treatment is high. As usual, you may not go up after, because it is not known the effects of this phobia can be really sad...
Monday, May 11, 2009
Women do not reveal the rich and handsome
"As long as the death was not disconnect" is your mantra? Believe that we will never betray their beloved lover? You can put it between the fairy tale, somewhere between the "Cinderella" and one of the romantic comedy. Because monogamy is in fact a man with. This at least, scientists say.
"As with many species of birds, which until recently were considered strictly monogamous, monogamy is also a man with. As a species we are mildly polygamous" - says dr. Assoc. Bogusław Pawłowski - Professor in the Department of Anthropology at the University of Wroclaw, Department of Anthropology and Director of Academy of Sciences in Wroclaw in an interview with the portal Onet.pl.
According to the researcher for this thesis provide features specific to the construction of polygamous species: sexual dimorphism and a large genital size in relation to the rest of the body. But the big penis is not the only arguments in support of that argument ... "You do not need a deck hand to look for people to consider that our official monogamy is something not right" - says the specialist.
MEN GO ON THE NUMBER; WOMEN - FOR QUALITY
Because in matters of sex are going to the number of men and women - on the quality... "Women and men of different strategies to implement the rules of sexual behavior. They may of course vary within each gender, but the greater the likelihood, however, that the men as more likely to provide the quantitative reproductive success without having to invest in offspring, they will seek to intercourse with more partners.
Women to have a different strategy. They are primarily interested in acquiring a man who is strongly committed to its partners, will be protected and secured resources for the food and its offspring. Looking for better-quality partners. Caricature of the differences between the sexes is that "women want everything from one man, a man all women want one" - the researcher calculated.
MALE IDEALLY
We talk a lot about love and the rich interior. But science rip off of romanticism and illusion: the recognition in the eyes of women is a man with a high socio-economic status. Wealthy or famous men are regarded as the most attractive and, as a rule, have more partners. Partner with high status is able to ensure the security and economic partner descendants. What is the determinant of the high status - it is dependent on the culture ...
"The evolution of the premium simply by the preference of women for men who have higher status. (...) From evolutionary point of view, as BMW does not differ from 10 cows, which is the man with the Kipsigis tribe in Africa or 10 pigs that Papuan life achievements. Dear car in Europe is the same as the herd of cattle in Africa and in rice field in Asia. The possibility of a yardstick to draw a man and a good sex "- continues the researcher argument.
YOU DO NOT LET THE RICH
Interestingly, in accordance with the laws of biology with a man of wealth and position will not only better partner, but also easier to remain faithful to it. "The relationship between the status of her husband and his partner fidelity is strong. Women who have a very prosperous partners, could provide an example of conjugal fidelity. On the other hand, according to some studies, up to 30 percent. Women-lover men with low status doin jumps on the side." Partner betrayal wealthy men simply do not pay - for one moment forget to pay the loss of privileges. In the case of men is the opposite: they are poorer, the wierniejsi. Just do not tempt new partners and ...
From tough to bed, to the altar - The dud...
Why do women actually reveal? Because otherwise the perfect husband and father, and another - the perfect long genes ... "Women generally prefer men of nice, friendly, with a sense of humor, non-aggressive. Such a man will invest in offspring, he helped in his upbringing. By contrast, in the fertile phase of the cycle, when women have increased levels of sex hormones, men suddenly begin to crave high, with strong silhouette, sharp facial features, massive jaw, strong, combative, even aggressive. " Women opt for the typical macho, because "hunt for good genes." So: go to bed with the macho, and want to educate children with dobrotliwym dud. Indeed, the proportion of men who raise someone else's child, is higher than might be assumed. "In France, 12-15 percent. Men raise someone else's child, not knowing about it. Research in the UK gave similar results, although there are cities where the rate was even higher" - Dr. calculated. Bogusław Pawłowski.
LIBIDO PERMANENT RELATIONSHIP RUINS?
"Research shows that after years of permanent sexual relationship of the frequency decreases by about 50 percent. Sexual attractiveness of a woman rapidly declining standing in the eyes of its partner. It also shows that male Homo sapiens is not suited to monogamy. It's just a change of partner, by libido man instantly to restore "- says the specialist. Perhaps this is the cause of relatively high treason statistics. Many studies conducted in different countries has shown that around 30-40 percent. men have a partner or partners outside the solid compounds. His men, however, betrays 15-25 percent. wives. This of course only average "- says the researcher.
FIRT: GEN
But adds: "Despite the fact that many biological characteristics indicates moderate polygamy Homo sapiens, throughout the world, the vast majority of people living with a partner." Monogamy provides the larger social order and costly investment in the upbringing of offspring, and thus - in the transmission of their genes. And apparently that's really all about us...
"As with many species of birds, which until recently were considered strictly monogamous, monogamy is also a man with. As a species we are mildly polygamous" - says dr. Assoc. Bogusław Pawłowski - Professor in the Department of Anthropology at the University of Wroclaw, Department of Anthropology and Director of Academy of Sciences in Wroclaw in an interview with the portal Onet.pl.
According to the researcher for this thesis provide features specific to the construction of polygamous species: sexual dimorphism and a large genital size in relation to the rest of the body. But the big penis is not the only arguments in support of that argument ... "You do not need a deck hand to look for people to consider that our official monogamy is something not right" - says the specialist.
MEN GO ON THE NUMBER; WOMEN - FOR QUALITY
Because in matters of sex are going to the number of men and women - on the quality... "Women and men of different strategies to implement the rules of sexual behavior. They may of course vary within each gender, but the greater the likelihood, however, that the men as more likely to provide the quantitative reproductive success without having to invest in offspring, they will seek to intercourse with more partners.
Women to have a different strategy. They are primarily interested in acquiring a man who is strongly committed to its partners, will be protected and secured resources for the food and its offspring. Looking for better-quality partners. Caricature of the differences between the sexes is that "women want everything from one man, a man all women want one" - the researcher calculated.
MALE IDEALLY
We talk a lot about love and the rich interior. But science rip off of romanticism and illusion: the recognition in the eyes of women is a man with a high socio-economic status. Wealthy or famous men are regarded as the most attractive and, as a rule, have more partners. Partner with high status is able to ensure the security and economic partner descendants. What is the determinant of the high status - it is dependent on the culture ...
"The evolution of the premium simply by the preference of women for men who have higher status. (...) From evolutionary point of view, as BMW does not differ from 10 cows, which is the man with the Kipsigis tribe in Africa or 10 pigs that Papuan life achievements. Dear car in Europe is the same as the herd of cattle in Africa and in rice field in Asia. The possibility of a yardstick to draw a man and a good sex "- continues the researcher argument.
YOU DO NOT LET THE RICH
Interestingly, in accordance with the laws of biology with a man of wealth and position will not only better partner, but also easier to remain faithful to it. "The relationship between the status of her husband and his partner fidelity is strong. Women who have a very prosperous partners, could provide an example of conjugal fidelity. On the other hand, according to some studies, up to 30 percent. Women-lover men with low status doin jumps on the side." Partner betrayal wealthy men simply do not pay - for one moment forget to pay the loss of privileges. In the case of men is the opposite: they are poorer, the wierniejsi. Just do not tempt new partners and ...
From tough to bed, to the altar - The dud...
Why do women actually reveal? Because otherwise the perfect husband and father, and another - the perfect long genes ... "Women generally prefer men of nice, friendly, with a sense of humor, non-aggressive. Such a man will invest in offspring, he helped in his upbringing. By contrast, in the fertile phase of the cycle, when women have increased levels of sex hormones, men suddenly begin to crave high, with strong silhouette, sharp facial features, massive jaw, strong, combative, even aggressive. " Women opt for the typical macho, because "hunt for good genes." So: go to bed with the macho, and want to educate children with dobrotliwym dud. Indeed, the proportion of men who raise someone else's child, is higher than might be assumed. "In France, 12-15 percent. Men raise someone else's child, not knowing about it. Research in the UK gave similar results, although there are cities where the rate was even higher" - Dr. calculated. Bogusław Pawłowski.
LIBIDO PERMANENT RELATIONSHIP RUINS?
"Research shows that after years of permanent sexual relationship of the frequency decreases by about 50 percent. Sexual attractiveness of a woman rapidly declining standing in the eyes of its partner. It also shows that male Homo sapiens is not suited to monogamy. It's just a change of partner, by libido man instantly to restore "- says the specialist. Perhaps this is the cause of relatively high treason statistics. Many studies conducted in different countries has shown that around 30-40 percent. men have a partner or partners outside the solid compounds. His men, however, betrays 15-25 percent. wives. This of course only average "- says the researcher.
FIRT: GEN
But adds: "Despite the fact that many biological characteristics indicates moderate polygamy Homo sapiens, throughout the world, the vast majority of people living with a partner." Monogamy provides the larger social order and costly investment in the upbringing of offspring, and thus - in the transmission of their genes. And apparently that's really all about us...
Friday, May 8, 2009
Joint orgasm is not mythology
I love that moment when the overwhelming passionate about throwing at each other like hungry animals? It all promises to be a promising start but the truth is that until you are well warmed up, he is already almost at the finish line. After all, you, a sorrow, and his - a sense of guilt and failure...
So do not be the case. Read what they can do to reach peaks at the same time.
At the beginning - the avoidance of mutual problems about that. There is nothing worse than throwing each other the one who was too early, too late and who finishes. The answer is that simply have a different physiology... If you have a clitoris the size of the penis and on penis size clitoris, roles will be reversed by...
Try to understand it
Second - Understand the reasons for it your fastshoing and delayed ignition. If peak earlier than normal, is guilty of the most stress or rare practice of sex. In the first case, make sure only the intimate moments in the two, instead of downloading it when the pants, make him a massage, cuddle, run subtle kisses. Let them feel your sensitivity and know that we do not expect him to have always been a hot stallion. This will allow him to relax and do not expect too much from each other in terms of sex. If you feel that be close later than usual, probably cause fatigue, emotional problems with a partner or adverse hormonal cycle phase.
The handbrake palm!
How to initiate sex have fun, make sure that the pace of wyrwało not out of control. We know: rozpędzonej machine has not stopped. On the intervention will be too late, he already is in the final straight. The increasing seriousness of the position change excitement - so that the temperature falls slightly. If your partner to show good will, encourage him to change during the intervals between items pieścił you oralnie - its falling a little excitement, and you at that time was nadrobisz across the gap.
On the way to the finish
Best to choose the items where they can control the pace and quick movement pchnięć is difficult (eg, standing or that, when based on the wall back, owe to his hips). The items are worth, where you control the pace of pchnięć - such as all types of rider position. If you feel that he is approaching the dangerous wytrysku, you can briefly slow down or cease. Items when you go on ujeżdżasz or take you from behind, opening the way to stimulate the clitoris - was one of the fingers or while ocierania by his pubic bone. The petting very quickly
So do not be the case. Read what they can do to reach peaks at the same time.
At the beginning - the avoidance of mutual problems about that. There is nothing worse than throwing each other the one who was too early, too late and who finishes. The answer is that simply have a different physiology... If you have a clitoris the size of the penis and on penis size clitoris, roles will be reversed by...
Try to understand it
Second - Understand the reasons for it your fastshoing and delayed ignition. If peak earlier than normal, is guilty of the most stress or rare practice of sex. In the first case, make sure only the intimate moments in the two, instead of downloading it when the pants, make him a massage, cuddle, run subtle kisses. Let them feel your sensitivity and know that we do not expect him to have always been a hot stallion. This will allow him to relax and do not expect too much from each other in terms of sex. If you feel that be close later than usual, probably cause fatigue, emotional problems with a partner or adverse hormonal cycle phase.
The handbrake palm!
How to initiate sex have fun, make sure that the pace of wyrwało not out of control. We know: rozpędzonej machine has not stopped. On the intervention will be too late, he already is in the final straight. The increasing seriousness of the position change excitement - so that the temperature falls slightly. If your partner to show good will, encourage him to change during the intervals between items pieścił you oralnie - its falling a little excitement, and you at that time was nadrobisz across the gap.
On the way to the finish
Best to choose the items where they can control the pace and quick movement pchnięć is difficult (eg, standing or that, when based on the wall back, owe to his hips). The items are worth, where you control the pace of pchnięć - such as all types of rider position. If you feel that he is approaching the dangerous wytrysku, you can briefly slow down or cease. Items when you go on ujeżdżasz or take you from behind, opening the way to stimulate the clitoris - was one of the fingers or while ocierania by his pubic bone. The petting very quickly
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